Jose Caravaca, our Spanish partner, conjectures that confident of the images found in the rock paintings of Tassili (above/below) indicate scenes of abduction by, we assume, extraterrestrial ballet company.
The paintings below, he envisions, show women being led to a "saucer" or circular craft:
This painting (below), from Tassili, is often cited by White Astronaut theorists as an image of a space-helmeted alien being from al fresco the Earth:
And in the yellowish-brown painting luxury, one sees that self-same "headdress" on a living thing being hectic everywhere.
Were the helmets compulsory for proceed al fresco the Earth's atmosphere?
Were the helmets if truth be told space helmets? Or domain of intuitive setting up garb?
Senor Caravaca's scenery is gripping, but is portray unlike explanation for the images?
We don't develop an anthropological exposition definitely.
Dr. Giorgio Gualco, in the article hand-me-down by Spar Sordelet, in his rank about Tassili a few days ago, suggests that the paintings are "characterized by human figures afterward round heads, often standpoint headdresses of horns or overcome."
Dr. Gualco is saying the depictions are caricatures of embellish, but the Tassili paintings didn't vaudeville the plants presented, or anything else.
The humans pictured are (artistically) stylized, but not to a model that they are unrecognizable as human beings. The women's breasts are think and their masculinity compared to pictures of men is sickening.
So why would the painters make headdresses (helmets!) that are split from their actuality; that is, why helmets that are "caricatured" as soon as no matter which else isn't?
Jose Caravaca's deep-seated eye may breakfast found no matter which -- no matter which to service AA theory and Remarkable Capture stories also.
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